Dance Screen debut at University of Utah

From: Ellen Bromberg (e.bromberg@m.cc.utah.edu)
Date: 07/25/01


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* * * FOR IMMEDIATE RELEASE * * *


THE UNIVERSITY OF UTAH DEPARTMENTS OF MODERN DANCE AND FILM HOST THE
AMERICAN DEBUT OF DANCE SCREEN ON TOUR


WHAT: 	DANCE FOR THE CAMERA FESTIVAL AND WORKSHOP
	The University of Utah presents DANCE SCREEN ON TOUR
	for the first time in the United States
WHEN:  	Festival Screenings:
           	Friday, Saturday and Sunday, September 28 - 30, 8:00 p.m.
	Festival Workshop:
	Saturday and Sunday, September 29 & 30, 9:00 a.m.-4:00 p.m.
WHERE: 	University of Utah Department of Modern Dance
	Marriott Center for Dance
	Salt Lake City, Utah
COSTS:   	Screenings:  $5.50 each night
	 2-Day Workshop:  $150.00 (Screenings included)
  	Workshop registration is limited.
CONTACT: 	ELLEN BROMBERG, Festival Director
	Eric Handman, Assistant to the Director
                      PH (801) 587-9804 or (801) 581-7327
	FX (801) 581-5442

	www.dance.utah.edu

* * * * * * * * * *
	The University of Utah's Departments of Modern Dance and 
Film, are pleased to announce the United States' debut of DANCE 
SCREEN ON TOUR as a part of its Third International Dance for the 
Camera Festival and Workshop.  Directed by Assistant Professor of 
Dance Ellen Bromberg, the festival presents two evenings of 
International works in film and video.  The first evening will 
present Award-winning works from the 2000 International Music 
Center's preeminent international dance film competition, DANCE 
SCREEN.  The second evening will offer another roster of 
award-winning international work, and the weekend will conclude with 
a final evening of juried student works submitted by students from 
around the world. The Festival Workshop will be a two-day intensive 
consisting of hands-on shooting, editing and critical analysis, led 
by Guest Artist Douglas Rosenberg, Guest Scholar Roger Copeland and 
Festival Director Ellen Bromberg.

IMZ/DANCE SCREEN
	The International Music Center (Internationales 
Musikzentrum), known as IMZ, is based in Vienna and is a global 
non-profit association of leading international producers of cultural 
and music programs focusing particularly on classical and 
contemporary music and dance. DANCE SCREEN , in its eighth year, is 
the preeminent competitive international festival and showcase for 
dance films and videos. DANCE SCREEN ON TOUR was created in 1999 in 
association with SK Culture Foundation of Cologne, to bring dance 
films to a wider audience.  The University of Utah's Departments of 
Modern Dance and Film are pleased to be sponsoring the first American 
presentation of DANCE SCREEN ON TOUR.

SEPTEMBER 28TH - DANCE SCREEN ON TOUR
	This year's program will feature Director David Hinton's 
Dance Screen Festival Award winner, Birds. Through film editing, 
music and choreographer's perception, the unrehearsed, natural 
movement of birds becomes an exhilarating dance experience.
	With a shared award for Best Screen Choreography CAPTIVES 2nd 
Movement is a completely virtual dance. Directed and choreographed by 
French artists Nicole & Norbert Corsino, this work is cited as "a 
digital dramaturgy in which traditional narrative values exist within 
an entirely virtual universe."
	Also receiving the Best Screen Choreography Award is  Moment 
from the United Kingdom, directed by Katrina McPherson and 
choreographed by Paula Hampson. Dedicated to the memory of dancer and 
filmmaker Michele Fox, the significance of a moment is explored as 
time is slowed down, stretched, speeded up, repeated and stopped.
	From the Netherlands Dance Theater comes Short Cut, directed 
by Jellie Dekker and choreographed by Hans van Manen. Canada film 
makers  Allen Kaeja and Mark Adam Zummel, the sequel to their 
previous film, Witnessed, which was screened at last year's Dance for 
the Camera Festival in Salt Lake.
Directors Jos de Putter and Clara van Gool were warded Best 
Documentary for their film Zikr, named after the dance that has 
survived in Chechnya for centuries. This short dance film from the 
Netherlands is "a jewel of non-verbal story."

September 29th - DIVERSE WORKS
	The second evening of works features A VERY DANGEROUS PASTIME 
-a devastatingly simple guide. Directed by award-winning filmmaker 
Laura Taler from Grimm Pictures of Canada, this humorous documentary 
received the Best of Festival Award at New York City's Dance on 
Camera Festival 2001.
	2I Etudes a Danser, Directed by Belgium's Thierry De Mey, 
merges dancing footage with elements of fiction to create a new way 
of telling a story. This film is an original blend of tender 
insolence and strict elegance and was the Festival Award-winner at 
the Moving Pictures Festival in Toronto '99.
	From Seattle comes dance theater company 33 Fainting Spells' 
first foray from stage to screen, Measure, a 7-minute experimental 
work directed by Gaelen Hansen and Dayna Hansen. Produced by the 
Audio Visual Center of Amsterdam is director Frank Kresin's Memento 
Mori, inspired by the Dance of Death and choreographed by Yusuf 
Daniels.  Also on the program, from Australia will be In the Heart of 
the Eye directed by Margie Medlin. Visceral and visual, this film 
interchanges the eye of the dancer with the eye of the camera, 
creating an evocative, intimate and sensual journey.

September 20th - The Next Generation: Juried Student Works
	For the first time, the Dance for the Camera Festival will be 
presenting student works chosen from submissions from around the 
world.  Selected by a jury of professionals and educators in the 
field, this evening provides young film makers and choreographers 
with a venue for their work, as well as providing audiences with a 
glimpse of the future.

TWO-DAY WORKSHOP
	The Festival also offers an opportunity for hands-on 
experience and critical dialog for filmmakers, videographers, 
choreographers, dancers, visual and performance artists, taught by 
Guest Video Artist Douglas Rosenberg, Scholar Roger Copeland, and 
Modern Dance Assistant Professor Ellen Bromberg.
	Douglas Rosenberg, Assistant Professor in the Interarts and 
Technology Program at the University of Wisconsin, Madison, holds a 
Master of Fine Arts Degree in Performance/Video from the San 
Francisco Art Institute. His work has been shown both in the United 
States and internationally in museums, galleries, festivals and 
broadcast television. He was the Director of the Video Archival 
Program at the American Dance Festival for ten years.
	Roger Copeland is Professor of Theater and Dance at Oberlin 
College and the recipient of the Stagebill Award for the best article 
about theater published in the U.S. during l999.  He has published 
well over one hundred and fifty articles about dance, theater, and 
film. Copeland has also worked as a consultant for the National 
Endowment for the Arts, the "Dance In America" series on PBS, the 
Brooklyn Academy of Music's Next Wave Festival, and the eight part 
television series "Dancing."  He has been awarded fellowships from 
the Rockefeller Foundation , The National Endowment for the 
Humanities, The Mellon Foundation, and Theatre Communications Group.
	Ellen Bromberg, Assistant Professor of Modern Dance at the 
University of Utah, has been creating dances for companies and solo 
artists for over 25 years.  She has received numerous awards and 
grants for her work from the National Endowment for the Arts, the 
Arizona Commission on the Arts and many others. She has created a 
number of works for the screen which have been broadcast by KQED TV 
in San Francisco, Wisconsin Public Television, and nationally on PBS 
Television's "Alive From Off Center."

---------------------------------------------
Ellen Bromberg
Assistant Professor
Department of Modern Dance
University of Utah
330 S. 1500 E. Rm. 106
Salt Lake City, UT 84112
PH: 801/587-9804
FX: 801/581-5442
e.bromberg@m.cc.utah.edu



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