Re: COSIGN 2002 - dance/language

From: mjumbe (b_mjumbe@yahoo.com)
Date: 04/03/02


Johannes,

it seems that we were thinking  along the same lines! 

there is a link between the two threads and a need for
a new critical vocabulary. 

matt gough


> And in this arena of course it gets even more
> complex, or muddled, if we
> start to use these conceptual abstractions, which we
> need.  At the same
> time,  we do speak of "programming languages,"  and
> Scott deLahunta just
> noted, in his abstract of the report on "Software
> for Dancers,"  the
> current "study of software as a condition and shaper
> of cognition,
> creativity and culture. [the report] defines and
> seeks interrelations
> between aspects of software arranged under three
> headings: software as a
> language; as a tool; and as a material. Through this
> engagement with the
> topic of software, the essay attempts to transform
> the computer into an
> invention open to critical reflection and less a
> product upon which
> society has come to rely."
> 
> I'd welcome connections we could make here between
> the discussion on
> dance/languages and software tools/systems and
> material  -- in order to
> explore perhaps certain possibilities of shaping a
> new critical
> vocabulary for our (still tentative) use of
> interactive constellations
> in performance or in installations or on the net.
> Especially, that is,
> HOW such constellations (from the programming point
> of view or the
> programming for dance/music/video interfaces) create
> meaning, affect
> audiences in specific ways, and can be
> perceived/read in specific ways.
> 
> 
> Johannes Birringer
> OSU_Dance & Technology
> AlienNation Co.
> http://www.aliennationcompany.com


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