>I have heard no one complain about Forsythe's DAT-Time cueing >method as being 'not visible'. >... >At this stage, we get into discussions about whether such tools >change the nature of the creative process, or simply augment existing >working practices. My take is that technology works as an amplifier >for practitioners' own creative techniques, and sometimes the >amplification is so strong that, to all intents and purposes, it is an >enabler, but it's not a creative agent in its own right. Again, a small mistake creates big misunderstandings. What I meant actually that I didn't see the NEED of using the technology. The structures that were created through Choreograph and the dancers could also have been choreographed. I missed the play between the dancers and the system, I didn't see (or felt) it working as an amplifier. > > So I can only assume that Nodding Dog had been 'oversold' on the > > computer aspect, which by all means, was a mistake. Welcome to Austria. With kind regards, George Hobmeier _________________________________________________________________ Werden Sie Mitglied bei MSN Hotmail, dem größten E-Mail-Service der Welt. http://www.hotmail.com
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