The following message was posted to: dance-tech Hi, Robert! Thanks for the info about EyeCon. This looks very interesting. I'm trying to isolate areas in the monitored space, where movements can trigger reactions from Director, ie, fragments of animations, only few seconds, randomly. My colleagues and me are trying different ways of representing movement and interactive space and we are using webcam as the main tool to exercise this. Cheers, Eli --- Robert Wechsler <robert@palindrome.de> wrote: > The following message was posted to: dance-tech > > Hello Eli, and all, > > we have made a number of pieces in which Director-controlled still > pictures > and also videos were controlled by a dancer's movements as > interpretted by > EyeCon (palindrome's motion tracking system). > > a simple, and effective example is to let a video play as long as > there is > movement, and stop when movement stops. graduated speed control is > somewhat more difficult, but also possible, ie. faster movement= > faster > video. come to think of it, we did a piece once in which a video > sequence > played forward with motion direction in one direction, and backwards > in the > other. > > with friendly regards, > robert > > > __________________________________________________ Do You Yahoo!? Yahoo! Health - Feel better, live better http://health.yahoo.com ---------------------------------------- The Dance-Tech mailing list has recently moved to a new address. To post a message, send email to dance-tech@dancetechnology.org. To unsubscribe, send email to lists@dancetechnology.org, with the words "unsubscribe dance-tech" in the message body. ----------------------------------------
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