Re: Media Relations & Interfaces

From: by way of dance-tech-admin@dancetechnology.org (kkolcio@wesleyan.edu)
Date: 06/25/04


The following message was posted to: dance-tech

Hello,
I am very interested in the discussion on issues of education, 
critical theory and language, and I am a proponent of keeping the 
larger context and implications of this work a part of the discussion.

	I research social somatic theory and look at the ways in 
which new media technologies (including communication and imaging 
technologies) are redefining somatic experience -- and by doing so, 
how they affect "knowledge" (what we can know) and "communication" 
(what we can express).
	I am specifically interested in the application and 
implications of this genre (tech-mediated performance) on the 
politics of knowledge.  Knowledge practices (ie: education and 
research methods) are largely determined by two criteria: how we 
understand "human" and how we understand "experience".  The work 
being done with technology in performance affects both.

	These are my issues: I am struggling to find the language and 
terminology that communicates most effectively across disciplines as 
I begin to write about the interdisciplinary implications of the work 
I have seen and read about. How does one make sense of the potential 
implication on research in the social sciences and humanities; or on 
a grade school teacher.  I am struck by the huge potential impact of 
the work (for instance, the use of Isadora in work being done at 
Paddington Arts, London, with learning disable students, work that is 
challenging conventional notions of "disability" and communication - 
I recently learned about this work through Nick Weldin of Patddington 
Arts).
	I am also figuring out how to contextualize developments in 
"dance tech" in courses such as Dance Education and Perspectives in 
Dance as Culture (in a small college dance dept).  Eventually I hope 
to introduce a new course that includes both practical engagement 
with, and contextualizes the significance of, dance mediated by and 
interfacing with new technologies.
	I welcome any  opinions or suggestions and apologize for the 
long initial posting.  Thanks. Katja
-- 



Katja Kolcio, Ph.D.	Department of Dance, Room 110
Assistant Professor	275 Washington Terrace
Tel: 860-685-3329	Wesleyan University
Fax: 860-685-2844	Middletown, CT 06459-0447

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