The following message was posted to: dance-tech > I think most dancers must consider the issue of copyright under > digital world. I agree. (I'm currently working on a proposal for a dance/technology project where we're being very careful of the IP issues arising, of which there are several.) I guess I'm just a little saddened that dancers and choreographers no longer feel that they can turn up at workshops with their own favourite (commercial) music and work with that - and I'm saying that as a professional sound artist and composer, where it's clearly in my best interests that music is commissioned rather than "found." (However, the more that choreographers develop their own personal libraries, the more articulate they seem to be in terms of working with composers when they get to that stage.) For public performances and full commissions, it's clear that music should be sourced and cleared in a professional manner. -- nick rothwell -- composition, systems, performance -- http://www.cassiel.com ---------------------------------------- The Dance-Tech mailing list has recently moved to a new address. To post a message, send email to dance-tech@dancetechnology.org. To unsubscribe, send email to lists@dancetechnology.org, with the words "unsubscribe dance-tech" in the message body. ----------------------------------------
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