The following message was posted to: dance-tech I have been asked to forward this. Please send all replies to PSi@brown.edu Becoming Uncomfortable Performance Studies International Conference #11 To be held at Brown University, Providence, Rhode Island, USA March 30-April 3, 2005 A conference toward performance/studies: modes of thinking, physical methodologies, spatial thoughts, sound disturbances, and knowing bodies. We acknowledge that the conference title understates, closets, titillates, misarticulates, sneaks-up upon, middle-classifies, play- acts, and jumps track. We also hope that it incites action, direction, thought, movement, and choice. For us, when we started planning, the title referred to the necessary discomfort in building a performance, a life, a discipline, a world. Newer, darker meanings have since accrued. Ports of passage: Insular Danger· Worry Idea· Panoptic Citizen· Nation's Hood· Skin Flesh Bone· A(cute) Dissonance... Gender Desire· Pain Play· Terror Space· Photography Torture· Raced Limits· Queers Embedded· Active Distance· BioCulture· Abducted Neuroscience· Aesthetic Ordinance· Border Scholarship· Amos and Fluxus· Comfort Zoned· History Currents... Impossible Performance· Blank Spots· UnSafes· Whatever Being We invite you to historicize, contemporize, embody, celebrate, or challenge our title. We will do our best to provide structures and spaces to test out, play with, perform, and transform your ideas. 1) We seek to set up alternative modes of participation that will allow for the development of ideas and projects through workgroups of like- minded (or not so like-minded) scholars and artists working off of specific themes. Please submit curatorial proposals for six to nine hours time focusing on guided events, joint methodological journeys, workshopped objects, etc. The six to nine hours' may be continuous or may extend over three days (or be in scattered spurts); you tell us what might be best. Examples: midnight to 6 a.m., Thurs/Fri/Sat a.m or p.m for two or three hours per day. In 500 words or less (or else), let us know what you would like to do and with whom/how many you would like to do it. State if it would remain insular or open up to an audience. We offer: black boxes, white boxes, lecture halls, seminar rooms, dance floors, corridors, open spaces, monuments, riverbanks, highway bridges, and what you are imagining (so let us know). Deadline for curators is August 15. We'll get back to you by September 1. 2) We also issue an open call for panels and for individual presentations that might be parts of panels. These might include performances, visual displays, and publishable and unpublishable papers. We encourage you to go beyond the demands of print culture in presentation. We offer smart classrooms (PowerPoint, video, DVD, sound), stages, seminar rooms, video feeds, etc. Please explain what you have in mind in 500 words or less. Deadline for panels and related presentations and papers is October 1. Notification by November 15. 3) We plan to feature separate performances, media displays, and installations that will be of general interest to those attending. We invite your suggestions and proposals. Budgetary support for such presentations will be minimal, at best, but let us know what you would need to bring your work here. Deadline is September 15. Notification by November 1. 4) We wish to provide times and spaces to meet informally with performers and with scholars. Let us know, for example, if you would like the opportunity to discuss your recent publications and performances as part of a book fair, a roundtable discussion, or in other venues. 5) We plan to sportively create cabaret-like spaces/events for performative responses, "slam scholarship," mini-performances, unexpected groupings, etc. We invite your suggestions for such events by October 1. If you need letters immediately stating our acceptance of your participation at the conference in order to start applications for funding, visas, etc., please note this with your proposal. Such letters can be provided. Proposals, suggestions, and requests: e-mail: Ken Prestininzi, conference co-ordinator, PSi@brown.edu fax: attention John Emigh or Ken Prestininzi in USA, (1) 401-863-7529 write: John Emigh, conference director or Ken Prestininzi, conference co-ordinator, Brown University Box 1897, Providence, RI 02912, USA website (under construction) www.brown.edu/Department/Theatre_Speech_Dance/ Summary of deadlines: Curated events, August 15th, Performances, Installations, etc. September 15th, Panels and Presentations: October 1st, Suggestions for cabaret like events and "slam scholarship": October 1st -- Petra Kuppers Asst. Professor of Performance Studies English and Cultural Studies Department Bryant College 1150 Douglas Pike Smithfield Rhode Island 02917 USA Artistic Director of The Olimpias Performance Research Projects http://web.bryant.edu/~pkuppers ---------------------------------------- The Dance-Tech mailing list has recently moved to a new address. 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